Cy Twombly. Bild, Text, Paratext

Die Bildwerke des US-amerikanischen Künstlers Cy Twombly (1928–2011) gelten als hermetisch und schwer zugänglich. Bleistiftgekritzel, Farbballungen, taumelnde Linien, einander überlagernde Farbschichten und Einschreibungen, geometrische Figuren, Zahlen, Zahlenreihen, Wörter, Zitatfragmente und rätselhafte Bildtitel stellen Forscher wie Betrachter vor ganz besondere Herausforderungen. Gemäß der interdisziplinär-transkulturellen Forschungsmethode des Internationalen Kollegs Morphomata an der Universität zu Köln versammelte im Juni 2012 ein Kongress neben Kunsthistorikern auch namhafte Fachleute aus den Bereichen Ägyptologie, Archäologie, Germanistik, Gräzistik, Anglistik, Japanologie und Romanistik, d.h. all jenen Fachgebieten und Kulturkreisen, die eine Inspirationsquelle für das OEuvre Cy Twomblys darstellten. Befragen diese den Bezug zwischen Werktitel, Werk und eingeschriebenen Zitaten, so legen führende Vertreter der Twomblyforschung den Fokus auf Bildsprache und Schriftbildlichkeit bei Cy Twombly. Durch umfassende Deutungen berühmter Einzelwerke und Werkgruppen in sämtlichen von Twombly angewandten künstlerischen Medien erschließt der Band in einem fächerübergreifenden Blick einen Zugang zur assoziativ-referentiellen Bildsprache Cy Twomblys

Cy Twombly. Image, Text, Paratext

The artworks of the US artist Cy Twombly (1928–2011) are considered to be hermetic and inaccessible. Pencil scribblings, explosions of paint, tumbling lines, overlapping layers of color, and inscriptions, geometrical figures, numerals, rows of numbers, words, fragments of quotations, and enigmatic work-titles present very special challenges to both researchers and viewers. In the interdisciplinary and transcultural research method of the Morphomata International Center for Advanced Studies at the University of Cologne, a conference was held in June 2012 that brought art historians together with renowned scholars of Egyptology, Archaeology, German, Greek, English, Japanese, and the Romance languages, i.e. all the fields and cultural spheres that were a source of inspiration for the œuvre of Cy Twombly. While these scholars inquire into the relation between title, work, and inscribed quotations, leading representatives of research on Twombly focus on the visual language and scriptural-imagistic quality of Cy Twombly’s work. Through comprehensive interpretations of famous single works and groups in all the artistic media employed by Twombly, the volume’s cross-disciplinary view opens up a route into the associative-referential visual language of Cy Twombly

Projet de la Baie James : Une rivière qui se noie = James Bay Project : A River Drowned By Water

Through photography, drawing, maps, video and interviews, Wittenborn and Biegert's multi-media project provides extensive documentation of the destructive effects of the James Bay hydroelectric project on the Cree territory and people. The catalogue includes 14 interviews with individuals affected by the project, seven essays and a chronology of events in the James Bay Agreement. Biographical notes. 37 bibl. ref

Joseph Beuys, Zeige deine Wunde.

Vol. 1: Cover title.Vol. [2] has special title: Reaktionen.Text by Armin Zweite.Vol. [1] contains reproductions from the exhibition, Zeige deine Wunde, organized by the Galerie Schellmann & Klüser, Munich, 1976.Includes bibliographical references

Joseph Beuys : Skulpturen und Objekte

Entirely written in German, the catalogue contains extensive visual documentation on 125 sculptures and installations produced by Beuys since 1948. Eight essays explore his early activities, his paticipation in Fluxus and the ideological basis of his work. Extensive biographical notes. Circa 50 bibl. ref